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10/26/1998 |
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E. Scott Johnson Appeared in The Daily Record Congress has approved the most extensive
changes to the U.S. Copyright Act since its 1976 revision, by
implementing provisions of two World Intellectual Property
Organization ("WIPO") treaties (the WIPO Copyright
Treaty and the Performances and Phonograms Treaty), and
establishing new rules for balancing protection of and access to
copyrighted works in the digital era. The "Digital
Millennium Copyright Act" ("DMCA") was presented
to President Clinton on October 20, who is expected to sign it.
To ensure passage this term, the Conference Committee tabled
provisions on database protection and to control importation of
copyrighted "gray market" goods. The first objective of the DMCA is to
implement provisions of the WIPO treaties. The treaties are
intended to harmonize copyright laws in the international arena,
by raising minimum standards of protection for copyrighted works,
including cyberspace commerce protection and new digital-era
protections for sound recordings. Passage of the DMCA enables the
Senate to ratify the WIPO treaties, which it is expected to do
early next term. The treaties must be signed by 30 countries
before they become effective, and the United States, which has
championed the treaties, would be the third country to sign. The
United States, already substantially in line with treaty
standards, needed to enhance protection in two areas to come into
full compliance, by enacting "anti-circumvention"
provisions (to prevent electronic theft in the digital age), and
prohibitions against alteration of copyright management
information. Congress included a new chapter (Chapter 12) to the
Copyright Act, providing civil remedies and criminal penalties
for violations of either provision. Under the WIPO treaties, signatory
countries must provide "adequate legal protection and
effective legal remedies" against the circumvention of
technological measures, such as encryption technology, used to
restrict unauthorized or unlawful copying. Among other things,
the DMCA prohibits the sale of "black boxes" used to
circumvent anti-copying technology. The anti-circumvention
provisions are limited by carefully crafted exemptions for
libraries, archives and educational institutions, legitimate
encryption research and "security testing" (obtaining
access to a computer, computer system or computer network for the
sole purpose of testing, investigating or correcting a security
flaw or vulnerability, provided that the person engaging such
testing is doing so with the consent of the owner or operator of
the computer, computer system or computer network). Also, analog
video cassette recorders must now be equipped with certain
standardized copy control technology. Both of the new WIPO treaties require
signatory countries to protect the integrity of copyright
management information. This includes information that identifies
the work, the author of the work, and the owner of any right in
the work as well as any information about the terms and
conditions of its use, and any numbers or codes representing such
information, when any of this information is digitally
"attached" to a copy of the work or appears in
connection with the communication of the work to the public. The second objective of the DMCA is to
implement an agreement between copyright owners and Internet
service providers concerning liability for on-line uses of
copyrighted works. Internet service providers will enjoy greater
certainty under the DMCA, with reduced exposure for copyright
infringement if certain conditions are met. Compliance with the
DMCA's safe harbor provisions insulates Internet service
providers from liability for monetary awards for direct,
vicarious and contributory infringement (including damages,
costs, and attorneys' fees), for (i) acting as a "mere
conduit" for infringing transmissions, (ii) "system
caching" (if certain other conditions are met), and (iii)
other "innocent" conduct where infringing material may
be accessed by a hyperlink or stored by the Internet service
provider, provided in each case that the service provider moves
expeditiously to remove infringing material when apprised of it. Another component of the DMCA was enacted
in response to MAI Systems Corp. v. Peak Computer, Inc.,
the Ninth Circuit decision that loading software into a
computer's RAM to permit a third party service provider to
service the hardware constitutes copyright infringement. That
case held that 17 U.S.C. §117's exemption for making a RAM copy
to boot up software did not extend to third party service
providers. The "Computer Maintenance or Repair Copyright
Exemption" was added to the DMCA to clarify that an
independent service provider that is not itself a licensee of a
computer program resident on its client's machine, may activate
that machine for the purpose of servicing the hardware components
without infringing copyright in the software. The DMCA sets forth
conditions, intended to protect the copyright software owners,
that must be met to claim the exemption. The DMCA also establishes a compulsory
licensing mechanism for "webcasting" copyrighted music
via the Internet. Webcasters, such as broadcast.com, currently
"stream" media files transmitting music
("webcasts") to listeners, without the efficiency of a
compulsory or blanket licensing regime for clearing rights to the
copyrighted sound recordings they webcast. ASCAP and BMI
currently offer blanket licenses for webcasting the musical
compositions incorporated in sound recordings, similar to the
licenses traditionally offered to radio broadcasters, but such
licenses do not cover the use of sound recordings. The new
statutory licensing provisions are important because while U.S.
copyright law recognizes no "performance right" for
radio broadcasts of sound recordings (as opposed to musical
compositions, which are accorded such rights), under the Digital
Performance Rights in Sound Recordings Act of 1995
("DPRSR"), owners of sound recording copyrights
(usually record companies) do have performance rights for certain
digital transmissions, and thus are in a position to license and
participate in revenues of "webcasters". The DMCA sets
forth requirements a webcaster must meet to qualify for statutory
licensing of copyrighted sound recordings, including limitations
relating to interactivity, programming length (incorporating by
reference the "sound recording performance complement"
provisions of the existing Copyright Act), and other
requirements. Before the DMCA, a webcaster could either negotiate
licenses with each owner of copyright in the sound recordings it
sought to webcast, or construe its digital transmissions as
exempt under the DPRSR, an interpretation opposed by the
Recording Industry Association of America. The DMCA also provides
a statutory license and certain exemptions for "ephemeral
recordings" made in connection with permissible broadcasts
and transmissions. Many webcasters will find much to like in the
new law. The DMCA also creates a new intellectual
property right for boat hull designs. This new form of industrial
design protection was enacted in response to the Supreme Court's
1989 invalidation of the Florida state law providing protection
for boat hull designs (Bonito Boats v. Thunder Craft Boats,
Inc.). The term of protection is ten years, shorter than
existing copyright, utility patent or design patent terms. The
law will be in effect for two years, during which the Copyright
Office will conduct a study to determine its efficacy. Other miscellaneous amendments to the
Copyright Act contained in the DMCA include the requirement that
assignees of motion picture copyrights honor certain collective
bargaining agreements (to ensure payment of residuals), and a
confirmation of certain aspects of the role and operations of the
Copyright Office. Taken as a whole, and particularly when
considered in combination with the Sonny Bono Term Extension Act
and Fairness in Music Licensing Act (also approved by Congress
just a few days before the DMCA) the 105th Congress has
accomplished in its final days the most extensive overhaul of the
Copyright Act in over 20 years. Scott Johnson is a principal in Ober|Kaler's Business & Tax Department. He chair's the firm's Intellectual Property practice and is a frequent contributing author to the IP Watch.
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